Thursday, April 20, 2023

Penny Marshall --- Rug Hooker & Hooked Rug Collector

Penny Marshall

(1943-2018)

 Over the years, while researching the Rug Hooking Traditions - Book Series, I’ve come across many celebrities & famous people who have collected & owned hooked rugs. But it’s much less often that I find a collector who has actually hooked a rug. It’s wonderful to see that people in different walks of life appreciate our wonderful fiber art! This is a tribute to Penny Marshall --- Rug Hooker & Hooked Rug Collector.

While I’m sure you are familiar with Penny Marshall, I thought I would share her story from the beginning & then divvy out a few tidbits that you might not know - before we get to her hooked rugs.

Carole Penny Marshall was born in the Bronx, New York to Tony & Marjorie Marshall (Tony changed his last name from Masciarelli to Marshall, sometime between 1930-34).

 How her names were chosen…. Carole was for her mother’s favorite actress – Carole Lombard. Penny was for all the pennies her siblings saved all summer to get a pony & they were disappointed when her mother brought home a baby sister instead of a pony.

This was Penny’s Birth Announcement --- a New Yorker–style cartoon of a man sitting on a couch in the hospital waiting room looking shocked as a nurse peeks around the door at a newborn baby. The baby is saying, “What did’ya expect – Hedy Lamarr?” Drawn by Penny’s Dad. 

The couple had 3 children Garry, Ronny & Penny, who grew up on the Grand Concourse in the Bronx – on the same block that spawned Neil Simon, Calvin Klein, & Ralph Lauren.

1951 – Garry, Mother Marjorie, Ronny & Penny, in front of their Bronx apartment building – 3235 Grand Concourse, a 6-story building (seen above). They lived on the 1st floor because Marjorie was scared of fires.

Father Tony was a Director of manufacturing films/commercials – one of his clients was the American Medical Association.

 
Mother Marjorie was the owner, teacher, & chief choreographer of the Marjorie Marshall Dance School. She had 360 students, who she taught tap, ballet, jazz, & acrobatics. Her dance school was in the basement of their apartment building & she called it the ballroom. Penny was one of her students.

The Marjorie Marshall Dancers put on many performances around the Bronx & New York. In 1952, Marjorie met June Taylor, choreographer for the June Taylor Dancers on The Jackie Gleason Show. She pitched a “Junior Rockettes” performance for the show & it was a hit - they even got asked back the next year. This led to other TV appearances like the Connie Frances & Pat Boone shows.

Brother Garry Marshall left the Bronx, went off to college & then to Hollywood. He became a big Filmmaker with TV shows like: The Lucy Show, Dick Van Dyke Show, The Odd Couple & Happy Days, plus movies like: Overboard, Beaches & Pretty Woman. Ultimately, he would lure his whole family out to Hollywood & into his successful TV shows & movies.

Sister Ronny (Marshall) Hallin would become an actress & TV Producer too, most known for work like Happy Days and Mork & Mindy.

Penny - Actress

Penny got her 1st acting break with a recurring role on The Odd Couple as Oscar Madison’s whiny secretary, Myrna Turner.

But we know her best in another role. Can you hear that catchy theme song that starts every episode of.…. Laverne & Shirley?

In 1976, Laverne & Shirley debuted in the top slot of the Nielsen ratings, pulling in some of the biggest numbers TV had seen in a decade. The Happy Days spin-off was an immediate smash, spawning merchandise, cartoons & music albums. For 8 seasons, the roommates & Shotz Brewery coworkers got into uproarious, I Love Lucy–like high jinks in Wisconsin (&, eventually, in California).

The show's success was due to Penny Marshall & Cindy Williams, who brought personal touches to their title characters. As zany as the show could get, these felt like real people. They were believable. Penny starring roll lasted 8 years.


Trivia:  Schlemiel! Schlimazel! --- comes from the Marshall's childhood.

The duo's hopscotch mantra was from Penny’s youth. Garry's the one who told Penny, “Teach Cindy that little ditty you used to do on the way to school. We'll shoot that.'" Penny taught Cindy 'Schlemiel! Schlimazel!' Cindy had no idea what it meant…. When Penny & her school chums would walk to school, they'd link arms & count off their steps, '1, 2, 3, 4, 5, 6, 7, 8, schlemiel, schlimazel, hasenpfeffer incorporated!' Then they'd run & stop & start counting again. Garry remembered that."

Penny - Director

It wasn’t long before Penny started directing episodes of Laverne & Shirley.

After Laverne & Shirley, she focused on directing & producing. Penny was the 1st woman to become an A-list director -- to make a film that grossed over $100,000,000 – with the movie BIG starring Tom Hanks.

Penny was a Director & Producer of films, TV shows & a documentary. Here’s a  sampling of her films: Jumpin’ Jack Flash, Awakening, Riding in Cars with Boys, The Preacher’s Wife, Cinderella Man, Renaissance Man, & A League of Their Own, - which included her friends Tom Hanks & Rosie O’Donnell, as well as her daughter Tracy Reiner who played Betty "Spaghetti" Horn. Tom’s iconic line in the movie is… “there’s no crying in baseball” Penny was the 1st female director with 2 movies that grossed over $100,000,000, with A League of Their Own.

Penny - Collector

Besides her career, Penny had a passion for collecting & she spent decades doing it!

Tracy Reiner & Penny Marshall

Recently, I had the lovely pleasure of chatting with Tracy Reiner, Penny’s daughter. Tracy is gifted & talented in her own right – she has appeared in about 30 films and worked in film production. She is handling her mother’s collections. Tracy told me that Penny’s best friend Carrie Fisher taught her mother to be a collector. Together Penny & Carrie spent 30 years shopping & collecting early Americana.

 

 Penny Marshall & Carrie Fisher

Tracy had this to say… “My mom was often attracted to people & things that went unacknowledged. She wanted others to remember each artist’s era & work, & championed each collection into some recognition.”

Penny had more than 63 categories of art, memorabilia & collectibles - reflecting her unique interests, tastes & lifestyle. Vintage signage, rare American ceramics, outsider art, Stickley & other Arts & Crafts furniture, ships/boats, quilts, Beacon blankets, ribbon ladies, memorial art, dishes, Bakelite, lighting, Tramp Art, military memorabilia, music, jewelry, folk art, advertising, coin, Converse tennis shoes, snow globes, paintings, & much more. Here are a couple examples of pieces from Penny’s collections.


 Limbert Studios hammered copper & slag glass shade with hammered copper base, the shade with sailing ships & windmills.

Large frontier map of the United States, circa 1950-75

Penny loved sports! At one time, Penny had the largest private sports memorabilia collection. Penny dedicated more than 2,000 square feet of her home to just this collection. A passionate sports fan, dating back to her Bronx childhood, she loved collecting baseball, basketball, boxing, & football memorabilia. 

After her death, the Penny Marshall Trust donated hundreds of artifacts to the Naismith Memorial Basketball Hall of Fame, Springfield, MA, including game jerseys & sneakers, autographed basketballs, rare photos, unique & personal souvenirs. She also donated much of her baseball collection to the National Baseball Hall of Fame in Cooperstown, New York. Click here to watch a 2011 video of Penny giving Ron Artest a tour of her sports collection in her home.  


Hooked Rugs – Collected by Penny

So, now, let’s talk about the hooked rugs Penny collected.

 
In a book titled Is that a Gun in Your Pocket?: Women’s Experience of Power in Hollywood, there is a section on Penny Marshall & it says: “Her home is a cornucopia of American kitsch, a hymn to abundance. It is the lair of an obsessive collector. There’s not one hooked rug hanging on the wall but MORE THAN A DOZEN.”        

In another book by actress Angela Huston titled Watch Me: A Memoir Angela says this about Penny… ”Penny’s collection of lamps, hooked rugs, sports memorabilia, & antiques were extensive. The parties were always brimming with interest; everyone went – artists, musicians, directors, writers, actors, moguls.” 

Which means that every one of those celebrities & famous people had a chance to see Penny’s hooked rugs. And since Penny was passionate about her collections, I bet she talked about them too. So, there are a lot of people in Hollywood that know about hooked rugs – because of Penny Marshall.

In a 1976 Good Housekeeping Magazine article there are more clues to Penny’s rug hooking proclivities… “Their home is a small, one-story, yellow clapboard house with only two bedrooms…. There is a formal dining room – formal in the sense that it boasts a lovely Early American table & four chairs – but since the Reiner’s rarely eat there, preferring to eat off trays in an equally small study, the space it occupies is useless. The living room, with an oversized brick fireplace, is cock-full of colonial furniture, nine exquisite needlepoint pillows made by Penny, & a hooked rug, also by Penny. “She made that rug during one of her rare periods of domesticity,” said Rob. The rug in question rests on a bare floor &, explained Penny, “anyone unfortunate enough to step on it either slides around or falls down. It’s really a hazard, but it’s my rug & it’s gonna stay there.” While Rob says the making of the rug was a rare moment of domesticity, actually Penny enjoyed & created quite a bit of fiber art, especially needlepoint. (Unfortunately, there were no photos of Penny’s needlepoint pillows or hooked rug with that article. Very disappointing!)

 
Here Rob is host & Penny appeared in the sketch of one of the earlies Saturday Night Live (SNL) shows in October 1975.

Carl Reiner, Sid Caesar & Imogene Coca.

Penny grew up across the street from Rob Reiner & his family in the Bronx, but they never met there, because the Grand Concourse was a busy street & they were too young to cross it. However, Penny saw his father, Carl Reiner, in a tiny grocery store in their building & got his autograph. At that time, Carl was one of the stars on Your Show of Shows – staring Sid Caesar & Imogene Coca. Carl was one of the most famous people in the neighborhood.  

 
My Mother Was Nuts: A Memoir – a wonderful book for more info about Penny’s life.

Penny – Rug Hooker

Yes, Penny enjoyed making fiber art & mentions it in her own book: My Mother Was Nuts: A Memoir. In the early 1970s, Penny was going to husband Rob Reiner’s dress rehearsals & tapings for his hit TV show All in The Family, During that time she did needle point & she even hooked a rug!   

  
All in the Family Cast - Sally Struthers, Carroll O'Connor, Jean Stapleton & Rob Reiner.

According to Tracy Reiner, she’s not sure how many hooked rugs Penny hooked, but probably only 1 or a few. Tracy remembers a square rug with light green & light rose flowers – unfortunately there are no photos of this rug or any other rugs Penny hooked.

 Tracy said that she herself did some fiber art years ago, both needlepoint & knitting. So a 2nd generation carrying on the legacy & love of fiber art.

Hooked Rugs – Formerly in Penny Marshall’s Personal Collection

 Tracy has said that “by having all of these collections of art & antiques in their home, Penny created a place for discussion.” --- Isn’t that what art is all about?

 In our conversation, Tracy said that Penny had HUNDREDS of hooked rugs in her collection, most of which were collected in the 1980s & 1990s. Here are just a few of the hooked rugs that were once in Penny Marshall’s personal collection.

 

Boy Scouts Hooked Rug - Depicting a troop leader waving off two sailboats. Provenance: gallery label Susan Parrish, New York. 20 x 36 inches. Penny liked Americana, and was a self-proclaimed tomboy. So, the Boy Scouts check both boxes.

 Susan Parrish - specialized in antique quilts & textiles, 19th century American country furniture, folk art, including paintings, trade signs, carvings, weathervanes, pottery & other items. She had a shop in the West Village of NYC for 20 years.

 
Carriage House Scene Hooked Rug - Primitive American Hooked Rug on burlap Carriage House Scene, 17” by 27”

 
Clown with Drum & Toys - Mid-20th century, composed of wool & cotton jersey segments, mounted on a wood frame, 18” x 32”. 

I’m just guessing here, but since Penny was a comedic actress, I’m thinking the clown aspect is what drew her to purchase this rug.

 
Country Estate - American primitive folk art hooked rug, 23" x 38". The edging of this rug has a braided edge in black. Tracy mentioned in our chat that her Mom had a number of pictorial hooked rugs - as you can see in the next few that follow.

 
Country House - There is little info on this piece. The size is ranging from 8 1/2 x 12 inches to 12 x 15 inches.

 
Grenfell Reindeer & Komatik Hooked Rug - Circa 1920 hooked rug, 26 x 40 inches. Komatik is a sled which is typically drawn by dogs, used by people of Labrador.

 
House with Flowers - This photo is of the back of the rug, looking through the wood frame.

 
House with X - Draw your attention to the rug with the tan house, we only have a partial view of that rug, as there is a colorful runner rug of houses laying on top of it. So, look to the left & right of the colorful runner.

 
Lamb Hooked Rug - 1930's Lamb folk art hooked rug, 23 1/2" x 36 1/2". It appears there are 4 leaves in the corners of the border.

 

MAGIC & "BIRD" HOOKED MATS - Late 20th century, depicting dogs, 22 x 30 inches. With Penny’s love of Basketball, I’m thinking she picked this rug because it reminded her of Magic Johnson & Larry Bird – rivals on the court, friends in life.

 

Narrow Rug with Houses - Provenance: with label: Gallery of Graphic Arts, LTD. Size unclear - ranging from 27 x 12 1/2 to 19 1/2 x 29 inches.

Pair of American Hooked Rugs - These 2 panels are framed, each 31 1/2 x 21 inches, The top panel has silhouettes of Brooke & Faith, as well as the name Kim & 1938. The bottom one has a reference to Paul Paray a French conductor/organist/composer who came to Detroit in 1951 to work with the Detroit Symphony. At the bottom of that panel is a church with the initials EGM & HDH & the year 1936. 

 
Pastoral Hooked Rug - Circa 20th Century depicting a farm house with a horse pasture & various animals grazing. A lovely & serene scene. This is a very large rug: 8ft 9in x 11ft 8in.

 
Scottie Dogs Hooked Rug -1930s Scottish Terrier folk art hooked rug, professionally mounted on a board for display. The rug measures 31" x 20".

 
Stag Hooked Rug - American Stag hooked rug, 44” x 26”.

 

Swiss Houses - These 2 pieces are actually sewn works, not hooked rugs. But I thought they were charming, so I included them, so you could see the diversity of Penny's collection. There was little description & they were included with other pieces, so the sizes were something ranging from 8 1/2 x 12 inches to 12 x 15 inches.

Terrier Hooked Rug - Another Scottish Terrier, circa 20th Century, mounted on board 25 inches diameter.

 
Penny & Tracy

Hooked Rugs – in the Family Collection

 Here are some of the hooked rugs that Tracy has kept from her Mom’s collection, and was kind enough to send me photos.

 
Shore Rug – I love this row boat at the shore of a lake or pond. The colors are soft and serene. It looks like a place you would like to visit. A braided chenile chairpaid is in the foreground.

 
House Rug – Charming hooked rug of a small cabin or cottage with a gate, located in a pine forest.

Musical Rug – Can you read musical notes? Name that tune.

Floral Rug – The floral motifs create an overall geometric look to this rug.

Ross or Frost Style Cats - Tracy says that her Mom liked cats & had a number of hooked rugs with cat motifs. This one is more in the style of an Ebenezer Ross (OH) or Edward Sands Frost (ME) pattern.

Primitive Chickens – These chickens are indeed primitive and the way that the background is hooked is also wonderfully primitive. Look at how the maker got the look of a Fall tree. Quite creative!

 
Cat Walking the Keyboard – Tracy says that her Mom liked cats & had a number of hooked rugs with cat motifs, here is another.

Runner – More than likely, this rug was designed for a staircase, with motifs (church, dog & old car) that were important to the rug hooker.

 
Floral Rug – This rug has more of an art deco flare.

 
Penny Rug – It only seems appropriate that Penny would have a Penny rug. And this is a beautiful example, quite large, and the colors are wonderful, along with the hexagon shape. The circles of wool are quite nicely layered, sewn & color coordinated. A final touch of an internal red hexagon to match the overall shape.

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Collectors – Their Essential Role

While everyone is familiar with museums & the important role they play in collecting & preserving art, antiques & objects that are important in our culture. We sometimes overlook the essential role that COLLECTORS play. People like Doris Duke, Peggy Guggenheim, Electra Havemeyer Webb, Isabella Steward Gardner, Gertrude Vanderbilt Whitney & so many others – started out as collectors. Their “collecting” swayed how we viewed European & American art, antiques, furniture, etc. That intern swayed how we decorated & furnished our homes - trends & the market.

Collectors are temporary custodians of these objects, caretakers if you will. They then pass on these objects to the next collector or to a museum. As there are not enough museums to hold all these wonderful items, we rely on collectors to take careful care of them. We owe collectors a debt of gratitude.

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 In 2009, Penny was diagnosed with lung cancer & a brain tumor. After brain surgery & radiation, she started radiation & chemotherapy for her lung cancer. She went on to live 9 more years. She passed away in 2018.

 According to her daughter, much of Penny’s collections were discussed & sorted before her passing. Many items were donated to museums & institutions, some were sent to auction, & others were donated & gifted.

 Thank you, Penny Marshall, for ALL your contributions!

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 Penny had an excellent sense of humor, so I think she would have appreciated this humorous excerpt & hope you do too….

Excerpt from By Hook Or Crook, by Stella Hay Rex, published in 1951

What a wonderful sense of humor Stella had!

Some wives drink, some have affinities, & some are addicted to cards. But my wife will have none of these. Hers is a vice far greater than all three.

She hooks rugs!

Not that rug hooking in itself is bad. It’s the side alleys & pitfalls it leads one into; it’s the cumulative effect of all these on family life.

Once a woman embarks on this precarious craft, home, husband & children are neglected. There is no such thing as regularity & routine anymore. Hooking transcends all else.

The hooker constantly violates the 10th commandment by coveting her neighbor’s coat, her neighbor’s dress, & even the washing on her neighbor’s line; then breaks the 8th by stealing – her husband’s pants.

Hookworm is indeed a strange malady, & my wife suffers from it in its most virulent form. I suppose I should pity, rather than censure, for such a condition is really a disease, somewhat understandable now in the light of psychosomatic medicine.

After the period of incubation has passed, the patient gathers about her all the material she has begged, salvaged & stolen, sits down to stenciled burlap stretched on a wooden frame, & with small steel hook in hand, prepares to enjoy an acute attach of hookworm.

There is no preventive vaccine or curative specific. The disease follows a definite pattern & must run its course.

Hookworm is such an insidious thing that an apparently mild attack can become chronic without the realization of the person infected, or her more affected family.

Experience has taught me that the best attitude for those who must live with the patient, is one of amused tolerance.

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 I hope you enjoyed this Tribute.

Take time to create Fiber Art today!

Kathy

Friday, February 24, 2023

LET HER GO… & More



 

In August 2022, LET HER GO made a surprising & rare public appearance at Rug Hooking Week at Sauder Village.

RHW attendees were glad to see this 80+ year old hooked rug had been well taken care of, as they closely examined the primitive textures & colors of her background materials, the cute little hooked nose of the jockey & so many other details - that are only seen from up close & in person.

Another thing RHW attendees saw, when they looked at this wonderful rug, was... SPEED! Can you see it? You can almost hear Roger Huston – “The Voice” of harness racing, announce... "the mare is coming down to the wire." You can see the strength hooked into her legs & hooves, she could trample you! Great care was also taken to hook movement in the background too. Together they built a sense of quickness & urgency! It took skill & talent for the fiber artist to achieve this!




We don't believe that this rug had made a public appearance since the September 1974 - January 1975 Museum of American Folk Art Exhibit – Hooked Rugs in the Folk Art Tradition, in New York City. The exhibit was curated by antique dealers & hooked rug authorities Joel & Kate Kopp. The Kopps also included this marvelous Americana style hooked rug of a mare & her jockey in all of the printings of their popular book: American Hooked and Sewn Rugs, which debuted with that exhibit. Exhibit catalogue (1974) on left & all 3 editions of the book on right.




For those who have read the book:
Rug Hooking Traditions with James & Mercedes Hutchinson, you may recognize Let Her Go as one of James & Mercedes Hutchinson’s original designs. James first brought this rug to Parke-Bernet Galleries Auction in New York City & sold it in June, 1941. 


Joel & Kate Kopp were well liked in the antique world. They had a good relationship with their customers & other antique dealers. They were trendsetters in the 1970s, & soon they were known for starting a new trend "Collecting American Hooked Rugs." (What became an antique collecting trend simultaneously became a contemporary crafting trend.) It seemed they also had the "magic touch," whatever went into their America Hurrah shop went out.... customers loved it & quickly snatched it up! So, the Kopps put hooked rugs back on the map, so to speak. (See page 7 in the book for a tribute & photos of Joel & Kate/America Hurrah.) 


When it came time to gather rugs for the Museum of American Folk Art Exhibit, the Kopps asked some of their customers, whom they sold rugs too, to borrow them back for the exhibit. They also asked other antique dealers, who were now also buying & selling hooked rugs.
 
 
(While the Museum of Folk Art may have changed it's name & location over the years, it has had 2 significant hooked rug exhibits. The second was the Great Cover-Up: American Rugs on Beds, Tables & Floors in 2007.) 
 

In the small Exhibit Catalogue (several photos above-with the town on the cover), Let Her Go was listed as Exhibit #74 Hooked Rag on Burlap. --Lent by Hastings House Antiques-- (In the open Kopp book photo above, it states the same.) Therefore, we can assume that the Kopps borrowed this rug from Philip McNemer & Milon Barns of Hastings House Antiques in the charming town of Essex, Connecticut. For many decades, Philip & Milon lived in a picturesque spot along the Connecticut River & kept an antiques shop in the riverfront town of Essex. They also exhibited nationally at top antique shows.

Perhaps it was sometime around the excitement of the Museum of American Folk Art Exhibit that Let Her Go came to the attention of Sarah "Sally" Nelson of Storrs, Connecticut. Sally lived less than 50 miles from Hastings House Antiques. It seems likely that she was either a customer or familiar with the antique shop, as she had an affinity for Americana with a focus on collecting early lighting & country painted items. Upon looking at her collection closer... Her love of animals was clearly evident in her many oil paintings, windmill weights & weathervanes depicting horses, cows, cats & dogs. She loved furniture from Queen Anne, Chippendale periods, high chests, low boys, to country painted furniture. There was also great folk art, decoys, gameboards, baskets, weathervanes, samplers, & textiles. She loved Americana! And what could be more Americana than hooked rugs?

How do we know so much about her collection? A few years ago, sadly, Sally passed away & her estate came up for auction. Much of the above mentioned, was in that auction. Let Her Go along with 9 additional auction lots of hooked rugs were in that same estate auction. Here are photos of the other animal themed hooked rugs from Sally's auction.

  

 


  


      

So there you have it, the story or provenance of Let Her Go. There is still more that we don't know about her, a number of years that we can't account for her whereabouts. More to discovery. But in the meantime.... she is an outstanding piece of Americana. James & Mercedes did an amazing job in designing this piece. They selected a talented rug hooker (unknown) to carry out their design... "to a t" & we are left with a treasure. 

We thank Sally Nelson for taking such good care of Let Her Go, for all the years she had her. We thank the new owner for graciously loaning Let Her Go to the RHW 2022 Exhibit so we could have a chance to study & enjoy her! We look forward to seeing the Old Mare again soon!

We hope this rug & story inspires you to create fiber art!

Please do not copy... Let Her Go... 

she is an ORIGINAL... a James & Mercedes Hutchinson design. 

Thank you!

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 Since the Let Her Go post appeared on our Blog, we received  questions about the other antique rugs that appeared in the RHW 2022 Exhibit, so here's MORE...

 Shed No Tears For A Sailors Bride Her Life Is Ner Monotonous. One Day He's Bidding Fond Adieu, The Next He's Coming Back To You, From London, Philadelphia, Singapore, Or Some Other Gay Metropolis.

Circa 1941

James & Mercedes Hutchinson

 Sailor's Bride Rug - Joys of a sailor's comings & goings. Depicts him & his bride, among canaries & flowers. He wraps his arm protectively around her. Over his shoulder is a parrot, over her shoulder is a nesting songbird. The words are carefully hooked.

 Hutchinson style - The sailor is a typically dapper & handsome gent, with a moustache. The bride is petite & modest/demure. Their clothing is stylish, down to her earrings. The unique Hutchinson inscription is perfectly expressed with trademark Hutchinson facial expressions!

Barbara Merry

RHW 2022 Feature Exhibit: MAINE:  HOOKED RUGS & FIBER ARTS acknowledged Barbara Merry (1923-2000) of Swanville, Maine, for she holds the title “Maine’s most collected hooked rugs!” In 2022, she passed away at the age of 100, but her hooked rugs were often mistaken for ones hooked in the 1800s. She fooled many, with her use of old materials & color removal techniques, as well as her primitive pictorial designs from childhood memories.

Cat & Dog

(bottom)

Barbara Merry

A charming cat & dog are the focal point in the center oval, with a subtle floral border, surrounded by a mottled background & hearts in the corner. Barbara's initials "BEM" are inside the oval. Typical of Barbara's folky style and colors.

 

Log Cabin with Bear

(top right)

Barbara Merry

A rugged Maine scene, a log cabin with smoke rising out of chimney, & a pond surrounded by pine trees. Typical of Barbara, & her folky style, the bear is almost as big as the cabin. Other cabins off in the distance. Her initials "BEM" are hooked into the rug, as her signature.

Lucy Barnard Trask

RHW 2022 Feature Exhibit: MAINE:  HOOKED RUGS & FIBER ARTS shared the fiber art, stories, & contributions of world-renowned Lucy Trask Barnard (1800-1898) of Dixfield, Maine – her hooked pictorials can be found in both the Metropolitan Museum of Art, NYC & the Farnsworth Museum, Rockland, Maine. Since her work can be documented back to her hometown & buildings (many still standing), along with her outstanding fiber art talents (color/design/technique) – Lucy’s MOMA works have said to be the most valuable hooked rugs in the United States.

Cherry Branch

Circa 1850 - 1898

Lucy Barnard Trask

An original hooked chair pad by Lucy Trask Barnard (1800-1898) - a branch from a Cherry tree. One of the last pieces still in Lucy's family collection - passed down to her great-great-great-granddaughter Karen, family genealogist. Karen donated several of Lucy's pieces to the Farnsworth Museum, Rockland, Maine.


Marguerite Zorach & Dahlov Ipcar

RHW 2022 Feature Exhibit: MAINE:  HOOKED RUGS & FIBER ARTS – shared the fiber art, stories, & contributions of notable Georgetown Island, Maine artists as Marguerite Zorach (1887-1968) & her daughter Dahlov Ipcar (1917-2017). Both were artists of many mediums, of which they both designed & created hooked rugs.

Still Life & Compote 

Circa 1915-1950

Marguerite Zorach

A rare original hooked rug designed & hooked by Marguerite Zorach. A still life & compote in the style that appears in so many of her other textiles/embroideries & paintings. A rare opportunity for attendees to see fiber art as this, on loan from a private collector.

An artist of many mediums, within and outside of fiber art. Marguerite was a master at applying her skills in each of those mediums. Her ease of using fiber versus paint to create a modern perspective on a still life is simply remarkable. 

Maine Shirred Floral & Geometric Rug 

Circa 1820

Maker - Unknown

A stunning example of early & rare Yarmouth area Maine work done with extremely fine bias shirring, wool on linen. Its dark brown background with red and blue highlighting is reminiscent of the period color schemes. The piece is in wonderful condition. 

Rug Hooking Week’s Exhibits, such as the 2022 Feature Exhibit: MAINE:  HOOKED RUGS & FIBER ARTS, provide rare opportunities for attendees to see extraordinary & historic examples of fiber art, such as this – which are amazing learning tools! The shirred rug was on loan from a private collector.


Renard (Fox)

Circa 1923

Maker - Unknown

Renard is the French word for Fox. So, this hooked rug is most likely a Canadian hooked piece. It’s a wonderful primitive design with a fox, birds, & flowers. There is an interesting fringed edge made from the brin (Canadian burlap) foundation, much of which has worn away.  The most unique feature is the glass BEAD for the EYE!

Folk Art Horses

Circa 1935

Maker - Unknown

Two Horses meet at the fence, surrounded by other animal pairs, like birds, butterflies, rabbits, owls, & other critters. A hooked - simulated penny/wool applique style border gives it a wonderful finish.

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 « For additional information on the historic & contemporary hooked rugs in the RHW 2022 Feature Exhibit: Maine Hooked Rugs & Fiber Art....look for Kathy Wright's June/July/August 2023 article titled "The Main(e) Event" in Rug Hooking Magazine.

For more info on the Rug Hooking Traditions - Book Series, check out our website:  https://rughookingtraditions.com/

To purchase our books, you'll find us on Etsy:  https://traditionsco.etsy.com

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  Rug Hooking Week at Sauder Village

Archbold, Ohio, USA

August 14 - 19, 2023

--- Exhibit ---

Rug Hooking Week (RHW) at Sauder Village in Archbold, Ohio, USA is well-known for it’s annual & extensive contemporary exhibit of 600-800 pieces of fiber art each year.

While we may learn so, so very much from fellow contemporary fiber artists. Take a moment, now & then, to look back. There is a wealth of knowledge in the history well. Take a Dip!

That is why RHW includes antique or historic fiber art in the RHW Exhibit. Often times, at least here in the USA, we do not see these types of fiber art in our museums or in public. If we do, there is little or “no” information about them or their makers.

Is it easy to find them? NO! Most of the RHW Exhibit’s antique hooked rugs are loaned from descendants, private collectors & dealers. However, they are also borrowed from institutions & museums. We greatly appreciate their generosity.

A lot of work goes into it… Before we bring these pieces to our exhibit we gather information, authorities, teachers, & speakers. We offer gallery talks, classes & other opportunities to take full advantage of learning & teaching opportunities – from history & provenance, as well as much about the artist as we can discover, as well as, the significance of their designs, colors, materials, tools, & techniques. For anyone not participating in relevant classes, amply signage accompanies the piece & folks are on hand to answer questions.

Rug Hooking Week Website

While you might not be familiar with the American antique hooked/shirred rugs in this Blog. They are there as an inspiration, an incentive. Take the opportunity to include vintage & historic fiber art in your exhibits, whatever part of the world you live in! Or encourage your museums to pull an exhibit out of the archives!